We are all used to seeing soundtracks to
movies, but this is the first time I've come across a soundtrack to a book. Add
to it that the book is House of Leaves and the
soundtrack artist is Poe, a unique band blending popular genres into it's own
flavor, who also happens to be fronted by Daneilewski's sister. To say that I
was intrigued and interested in what this composition would sound like is an
understatement. Although the soundtrack is not what I was expecting, I enjoyed
the song “Haunted” and I believe it establishes a back and forth between the
novel and the soundtrack based on the relationship of Will and Karen.
The first thing that struck me about the
album is that though it does begin in a suitably creepy manner with
“Exploration B” the beat and style of the remainder of the album is not what I
was expecting. Poe is obviously influenced by more than one genre of music. The
bass line of “Haunted” is a blend of light blues and soft rock and has a
slightly upbeat tempo that caught me off guard. However, the bass line is
evened out by the use of a mix of Gothic style choral bursts and dark, haunted-house style echoes of the lyrics, ghastly laughing,
and slamming doors. The tone of the singer is sad and remorseful and
complimented by piano, guitar, and even some Electronica. The whole cacophony,
when described like this, does not seem like it would work, but it blends to a
unique sound that I'm still trying to decide if I like and still trying to
decide if it fits with my overall “feeling” of the book.
I immediately dove into the lyrics to see
what part of the book this song is supposed to relate to. What I found is a
sort of synopsis of the relationship between Will and Karen throughout their
time in the house. Even though, at this point
in the reading it isn't made explicit, it is clear by this song that the
subject relationship is over and a source of remorse.
By the lives that I have loved
And actions I have hated
I'm haunted
By the lives that wove the web
Inside my haunted head
And actions I have hated
I'm haunted
By the lives that wove the web
Inside my haunted head
This is the state of affairs when we join
Will and Karen in the House. At first, it seems
that this has more to do with Karen and her infidelities. However, there is no
reason we can't use this as a light on Will as well. He is, certainly, haunted
by Karen's actions as well.
Don't cry,
There's always a way
Here in November in this house of leaves
We'll pray
Please, I know it's hard to believe
To see a perfect forest
Through so many splintered trees
You and me
And these shadows keep on changing
There's always a way
Here in November in this house of leaves
We'll pray
Please, I know it's hard to believe
To see a perfect forest
Through so many splintered trees
You and me
And these shadows keep on changing
This is the verse that got my brain
churning the most. First of all, “We'll pray” has been bugging me since I first
heard the song. I'm aware that lyrically it fits but what part of the book has
ever had anything to do with prayer? I think this is where the lens can be
turned back on the song rather than vice versa. In fact, I am fairly certain
that the person who is supposedly presenting this to us, Zampano, killed off
his feline companions as he approached the end of his life. Prayer just does
not seem to fit into the book in any way.
The next part of this verse is obviously
speaking to the nature of the relationship but just the way it is stated made
me think of connections between the shifting house,
the shifting relationship, and the nature of the changes. The connection
between trees and leaves is not lost, but the house
can also be seen as being built of splintered trees (what else is a 2x4?)
Furthermore, the house's constant changing
seems to ring with splintered and thrown right in the middle is “You and me.”
This pushed my thinking towards the ever changing, widening, and growing
hallway as a metaphor for Will and Karen's relationship. Then it dawned on me
that we have no information regarding the house
prior to “The Navidson Record.” Could it be possible that the house changes its nature based on the occupants? Not
only is the growing vast emptiness between two points a metaphor for their
failing relationship, is it possible that the house
chose this for a reason? If the house is truly
malicious in that way, it would make perfect sense for it choose a vast cavern
that Will would not be able to resist exploring, thus destroying his
relationship with Karen.
I'm haunted
By the promises I've made
And others I have broken
By the promises I've made
And others I have broken
At this point, both Will and Karen have
broken promises to each other. In fact, they both continue to do so without the
other knowing. Will went on “Exploration A” without Karen's knowledge and Karen
kissed Wax without Will's knowledge. I think it is interesting to note that
although Will thinks he is doing right by his promise, bringing other people in
to explore for him, the result is still the same, minus the inherent danger of
actually entering the space, he is pulled away from her and from his kids,
focusing entirely on the explorations.
Hallways... always
I'll always want you
I'll always want you
I'll always need you
I'll always love you
I'll always love you
And I will always miss you
Here again we see that always present
importance of echoes, always being the return echo of hallways. It still hasn't
been made explicit to us yet, but if we take the song as encompassing the
entire novel, then it is clear that the relationship will not last. We get even
more evidence of this in the following verse:
Come here
No I won't say please
No I won't say please
One more look at the ghost
Before I'm gonna make it leave
Come here
I've got the pieces here
Time to gather up the splinters
Build a casket for my tears
Before I'm gonna make it leave
Come here
I've got the pieces here
Time to gather up the splinters
Build a casket for my tears
I'm not sure if the one last look at the
“ghost” is referring to the current rescue mission or if this will happen
after, but it is quite clear that Will puts his foot down and goes into the
hallway. He did this on the current rescue mission but it is possible that
Karen understands his reasoning. Whenever it is, it is clear this is the end.
I'm haunted
By the hallways in this tiny room
The echoes there of me and you
The voices that are carrying this tune
By the hallways in this tiny room
The echoes there of me and you
The voices that are carrying this tune
Of course, hallways in a tiny room could
only make sense to someone who has read House
of Leaves. In the context of the novel, this could be a literal or a figurative
tiny room with hallways. The room that the explorers end up in while Holloway
is on his rampage is at the end of a vast hallway full of doors. This could
also be telling us what to expect of Will after Karen finally leaves him. Does
he literally go to one of the rooms in grief or is it more a symbol of his
state of mind at that time?
Finally, at the very end of the track, we
get perhaps the creepiest audio complete with a deranged music box ditty and
haunting laughter of a young girl.
You think I'll cry? I won't cry!
My heart will break before I cry!
I will go mad.
My heart will break before I cry!
I will go mad.
This is another reminder that the
soundtrack makes more sense in the context of the book. This is clearly Karen's
mindset. She is beyond crying, it is more likely that her heart will simply
break and she will go mad.
This is only one track on the album, but
it gives us a good lens to use on Will and Karen's relationship. Every track on
the album can be used to gain some insight or perhaps another way of looking at
the novel.
Haunted - Poe
Ba da pa pa ba da pa pa...
Come here
Pretty please
Can you tell me where I am
You, won't you say something
I need to get my bearings
I'm lost
And the shadows keep on changing
And I'm haunted
By the lives that I have loved
And actions I have hated
I'm haunted
By the lives that wove the web
Inside my haunted head
Ba da pa pa ba da pa pa...
Don't cry,
There's always a way
Here in November in this house of leaves
We'll pray
Please, I know it's hard to believe
To see a perfect forest
Through so many splintered trees
You and me
And these shadows keep on changing
And I'm haunted
By the lives that I have loved
And actions I have hated
I'm haunted
By the promises I've made
And others I have broken
I'm haunted
By the lives that wove the web
Inside my haunted head
Hallways... always
I'll always want you
Ba da pa pa ba da pa pa...
Come here
Pretty please
Can you tell me where I am
You, won't you say something
I need to get my bearings
I'm lost
And the shadows keep on changing
And I'm haunted
By the lives that I have loved
And actions I have hated
I'm haunted
By the lives that wove the web
Inside my haunted head
Ba da pa pa ba da pa pa...
Don't cry,
There's always a way
Here in November in this house of leaves
We'll pray
Please, I know it's hard to believe
To see a perfect forest
Through so many splintered trees
You and me
And these shadows keep on changing
And I'm haunted
By the lives that I have loved
And actions I have hated
I'm haunted
By the promises I've made
And others I have broken
I'm haunted
By the lives that wove the web
Inside my haunted head
Hallways... always
I'll always want you
I'll always need you
I'll always love you
I'll always love you
And I will always miss you
Ba da pa pa ba da pa pa...
Come here
No I won't say please
One more look at the ghost
Before I'm gonna make it leave
Come here
I've got the pieces here
Time to gather up the splinters
Build a casket for my tears
I'm haunted
(By the lives that I have loved)
I'm haunted
(By the promises I've made)
I'm haunted
By the hallways in this tiny room
The echoes there of me and you
The voices that are carrying this tune
Ba da pa pa...
Father :
What is it Annie?
Daughter :
You think I'll cry? I won't cry!
My heart will break before I cry!
I will go mad.
1 comment:
Your essay is longish - that's ok, and it mitigates the fact that you don't really say anything in particular in the first couple paragraphs.
Re: prayer - without saying that you're wrong, exactly, there is an interesting web of biblical references scattered throughout the book. I'd be interested to know whether your point of view has changed after you've finished the book. Similarly, we *do* have some information already about prior occupants of the house - it's not detailed, but we find out, for instance, that there are blueprints for the house, that ownership has often turned over, etc.
Now, about your real argument. What you're offering here is a speculative reading of the song in relationship with Will & Karen's relationship. The idea is good, and you certainly have your individual good moments (your reading of the hallways in tiny rooms, for instance). The fundamental thing missing, though, is the *why*: why should we take these song, in particular, as a lens to interpret Will & Karen? You give it a degree of credibility by showing us some of the places this reading *could* take us. What's mostly absent, at least for me, is a clear explanation of *why* this is the correct approach, or at least a desirable approach.
In short, I feel like you're putting the cart before the horse, by applying particular lyrics to particular events and ideas without doing the groundwork first - although these are potentially interesting directions to take us.
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