Chris
Ware’s well received graphic novel Jimmy
Corrigan: The Smartest Kid on Earth has won numerous awards, including
being recognized by Times Magazine “as
one of the top 10 English language graphic novels ever written.” A good portion
of Jimmy Corrigan lies within
character relationships and character development rather than the actual
plotline itself. Jimmy Corrigan innately
is a difficult piece to read. Of course it did not receive such high honors
without good reason; Chris Ware takes full advantage of the comic book themed
novel by using illustrative nature to enhance the reader’s understanding. The
reader is assisted by thousands of colored panels and figures that when read
quickly in sequence, provide a convincing illusion of life and movement. Chris Ware’s use of color narrates the novel
in a deeper way than words could ever accomplish.
Jimmy Corrigan tells
the emotional tale of a socially isolated, middle aged man, Jimmy Corrigan, who
had grown up with an overbearing mother and an absentee father. He constantly
depends on his vivid imagination consisting of his alter ego character the
Smartest Kid on Earth, to escape from his grim reality. Chris Ware
strategically selects the colors used in each scene to convey certain moods and
emotions of the novel. In the opening story lines and the ones pertaining to
Jimmy Corrigan’s present day, brighter colors are apparent throughout the
background and backdrops. Bright colors are incorporated in the panels where
Jimmy’s idol, Superman appears. When he reads the letter written by his father
inviting him out to visit during the Thanksgiving break, the panels are full of
light greens and blues. Jimmy’s emotions are of course skeptical but mostly
this color pattern shows his excitement and interest of finally meeting his
father. The light and easy going vibe can be felt within the warm earth tones
when Jimmy’s grandfather presents him with breakfast, bacon arranged on the
plate to form “HI”. This is an attempt of peace and/or a type of truce from the
grumpy old man.
The
first thing you notice is the thick lines Ware’s uses to outline each panel.
Another upfront observation is the consistent use of opaque colors. Every color
is a soft palette, resembling a pastel family which gives the illustrations an
understated feel. This color palette fits the story well seeing how the plot is
drab and depressing. Ware does an exceptional job of allowing the shades of the
illustrations to set the mood of the novel. The colors also do justice of
bringing the audience into Jimmy Corrigan’s world and his mind state.
Certain
panels and sections are often given a specific hue to set the tone of the
scene. It’s amazing how our moods can change dramatically all due to a slight
shift of a few colors across a page. Consequently, this can lead to a haunting
question; do the colors compliment and/or exaggerate the sadness of the novel
or is Jimmy Corrigan’s life really that depressing? The use of soft, pastel
colors throughout the novel was strategically chosen. This bland color palette
allows the audience to decide for themselves how they would like to interpret
the story. The freedom to choose the direction of the story allows the audience
to feel a part of Jimmy’s adventure, rather than just an
outsider looking in. This is an important observation within
Jimmy Corrigan. Ware illustrates Jimmy Corrigan in a way that comes off
inviting to his audience. For example, Jimmy’s wardrobe; a black vest, white
shirt, and slacks creates a persona who the audience can connect with. It may
be true that Jimmy differs from the average reader based on how we see
ourselves personally, but he is someone who has characteristics that the
readers can relate to. Jimmy is an ordinary guy or doesn’t have any special or
interesting facts to bring to the table. He is no hero, not changing the world
or even leaving his impact on the world. But for some reason, this is the exact
type of character that readers are attached to. What makes the life of a lonely
depressing man seem the least bit entertaining? Perhaps it is because most
people can relate to being in a similar situation. Maybe not as long as Jimmy
or even as drastic as Jimmy but sure enough they have been there. Feeling
lonely and depressed are situations where people can relate to. They know how
it feels to not be wanted or unloved, and because of this others tend to root
for the underdog, the character down on his yet the audience still hopes his
luck or fortune will turn around for the best. This type of character is not a
stranger to the entertainment world, characters like Cinderella and Charlie
Brown are exceptional examples of characters struggling to get through a tough
situation but somehow find a way to keep going. Like most, they are searching
for something more out of life, and for Jimmy that motivation stems from
finally getting an opportunity to reconnect with his father. The audience
quietly cheers for these characters hoping they find what they are desperately
searching for; sometimes they are successful, at other times they are not but
it always makes a great plot line.
Jimmy
recounting his grandfather’s story is typically depicted in duller colors such
as grays, dark purples, dark blues and browns. These darker colors reflect the
bleak moments the grandfather has had with his heartless father. Ware’s writing
style, combined with the colors often creates a key map that guides the reader
throughout the story. Dull colors correlate to sad, somber moments while light
colors show hopes and positivity. The reader can always turn to these simple
hints for assistance, seeing how comprehending Jimmy Corrigan requires more effort from the average reader.
Jimmy
Corrigan: The Smartest Kid on Earth
can be interpreted in a handful of different ways. For some, their efforts
strive toward the fundamental reward of decoding Ware’s mystery. For others,
the read is more about the emotional connection they form with the characters.
Jimmy may not be a character. He’s shy, meek and lives through his imagination
due to his unsatisfying life, something that many people can speak about.
Luckily for us, Ware disguises the bleak and dreary lives of Jimmy and his
grandfather with vivid imagery and comical narration. The
Chicago Tribune stated, "Jimmy
Corrigan pushes the form of comics into an unexpected formal and
emotional territory." Each scene is responsible for telling its own story
and Chris Ware capitalized on how
images and colors can provide a deeper insight in a story.
Amongst the dull shades, it is worth acknowledging the
use of the color red. Unlike the other colors, red is a bright and powerful
color that captures the reader’s attention. For the most part the color red was
used for sound effects and onomatopoeias. Phrases like “Smack” and “Slam” were
emphasized and jumped off the page due to the bright hue. It may be a subtle
hint but this writing technique is one of many Ware uses throughout the novel
to highlight certain sections; possible for their importance. An interesting
scene where the color red is most obvious is a stray of panels where Jimmy is
speaking on the phone. It’s a known fact that Jimmy struggles with human
interaction (even via speaking on the telephone) so the red phone comes off
alarming. Ware purposely chose the color red for the phone to show the
discomfort Jimmy feels while speaking to others on the phone. The giant red
speech bubble that reads “RING” as Jimmy reluctantly approaches the phone gives
off the vibe of how much he does not want to answer the phone. Whether it is
his overbearing mother or an awkward conversation with Peggy, nothing positive
ever comes from Jimmy answering the phone; hence it being colored red. Red’s connotation
is rarely linked with positivity.
Color can be defined
as the property possessed
by an object of producing different sensations on the eye as a result of the
way the object reflects or emits light. The
key part of this definition is “producing different sensations on the eye”, suggesting
that colors are not subjective. One’s attitude about the color yellow could be
completely different from another persons’. Chris Ware took a risk and hoped
that his color selection would be the precursor for the tone of his novel.
Fortunately, his big gamble paid off expediently. Jimmy Corrigan: The Smartest
Kid on Earth was narrated not only by its unconventional text but more
importantly by the colored images.
Works
Cited:
Dictionary.com
Reading
Comics, Jenni Huang http://graphicnovelcourse.blogspot.com/2012/11/jimmy-corrigan-smartest-kid-on-earth.html
1 comment:
In the 1st paragraph only the last sentence matters, and it's still not really a thesis - claiming that color matters in this book is obvious. Saying something about *how* specifically it matters is what you want to do.
Maybe you should have begun with your 3rd paragraphs (on the soft palette) and then continued with the 2nd paragraph - because to me is seems like you're arguing that the soft palette dominates, but that there are exceptions, or maybe simply examples within it that you want to explore. The third paragraph ideally would become part of your introduction - making some kind of precise claim about what the overall palette means - then the 2nd paragraph would follow.
The 4th paragraph is long, repetitive, and doesn't really do much. That the book is depressing is obvious. How that relates to the color palette is less obvious, and has potential, but you quickly get away from actually writing about the colors into much vaguer material - a stronger thesis is what you needed here, to help keep you from getting off track like this.
Your paragraph about the grandfather bothers me. I mean, you're obviously correct that the color palette shifts. But I basically (and this is because you're long on generalizations and short on specifics) you are associating both Jimmy's color palette and his grandfather's with the general glumness/depression of the story. But do you see the emotional tone of Jimmy's story vs. his grandfather's as being different? I don't think you do. In that case, why are the color palettes different? I don't think you're thinking hard enough about what the difference in the palettes means, and how we should interpret that difference.
Your discussion of red is pretty good but also pretty disconnected.
Your conclusion is weak - I'm still not certain what you're trying to demonstrate here.
Overall: You needed research here. I would have recommended research into the color (that is, how it is used), although looking into what other people have had to say about the use of color in the book would have been fine, too.
More importantly, although I think your instincts are very good when thinking about both the main palette and the shift in palettes into the grandfather's section of the narrative, you needed to think about how the palettes shift and what that shift means. Most of all, you needed a clear argument about what some aspect of the use of color in Jimmy Corrigan means, and then to arrange the essay around providing evidence for that argument. The lack of a clear argument makes it easy for you to remain on a overly general level (providing little detailed analyis of the text), which in turn made it harder, I think, for you to develop a more precise argument.
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