Jimmy Corrigan by F.C. Ware is the first graphic novel that
I have ever read. Obviously, the imagery is something that stands out as very
unique addition to the text of the story. One very important piece of imagery that I
noticed was very early in the book, on about the fifth page in fact, when a
young Jimmy sits at the table eating breakfast wearing his newly acquired
Superman mask with a smile on his face and says, “Mom! He said to tell you he
had a real good time!” I saw this as a great way to understand Jimmy better as
a character.
Jimmy seems to be a
very lonely child. He has an incredibly overprotective and overbearing mother,
but no father, and one might assume, little to no friends. I think one of the
focuses of this book is about the relationships that Jimmy has (or doesn’t
have) with the people in his life. My understanding of the use of the Superman
imagery, which appears multiple times throughout the book, was as sort of an
imaginary friend for Jimmy. Jimmy meets (the actor that plays) Superman and is
very excited. Just when his mom pulls him away moments before he is able to get
an autograph, Superman calls Jimmy his partner and sort of gets him out of
trouble with his mom. The actor that plays Superman stays the night with
Jimmy’s mom (which the young Jimmy doesn’t fully understand) but before he
leaves, has a little chat with Jimmy and gives him his authentic Superman mask.
That moment is when I think Jimmy is happiest in the whole book. To have
someone consider him an equal, if only superficially by calling him partner,
and giving him a gift, was a very positive (while short lived) relationship
that Jimmy has experienced, and at least through my reading of Jimmy Corrigan, will experience. The
gift that the actor left serves as a reminder of the brief encounter that Jimmy
had with him that he associates with the positive relationships he has in the
future.
In Jimmy’s adult
life, he is still very alone. This is probably somewhat his own fault – he has
a coworker that sits across from him that he never acknowledges – but
nevertheless still has a glaring lack of relationships outside of his mother,
now in a nursing home. This changes when Jimmy gets a letter from his father that
says he wants to finally meet and get to know him. Jimmy makes the trip to go
meet his father and goes on what could be considered an adventure by his
standards. The superman imagery keeps popping up while on this trip. Most
obviously, when Jimmy gets hit by the truck, he sees the man that comes over to
help him with a Superman mask on. Additionally, I’m not sure if I’m reading too
much into it, but the nurse that helps him at the hospital has red and blue
bracelets on. When Superman is shown in the book, he wears a blue and red suit,
so I think that these colors are also paired together to represent Superman,
rather than Jimmy seeing the person in a mask. In both of these encounters,
Jimmy is getting helped or “saved” by a Superman character and it might remind
him of the positive experience he had when meeting Superman as a child. This
imagery of red and blue really stands out from the normally bland colors in the
story when he is alone or with his father which I think reinforces the idea
that Superman represents the positive relationships in his life as opposed to
the awkward and estranged relationship he has with his father.
The mask also serves
as an obvious metaphor for hiding. Jimmy seems to hide from his true feelings and
desires by daydreaming about everything. He goes into his own world, as
Superman, and acts out in his mind what he would do if he had that kind of
power. He knows that he doesn’t actually have the bravery to accomplish those
actions but in his mind he powerful to act out fantasies such as killing his
dad or sleeping with the attractive nurse from the clinic. I think that one of
the reasons that Jimmy is hiding is because he doesn’t know how to have a
proper relationship, especially with women. Jimmy is constantly shying away
from actual relationships and human interaction and can be seen when Jimmy only
calls his mother and lies about his trip to her, when he shies away from
talking with Peggy, or even when he is with his dad, just generally avoiding
him and only responding to his questions and statements with very short
answers. The mask is a way for Jimmy to assume a different identity and not
really confront his problems. Even at the end of the book, after he has been
rejected by his sister and goes back to work, Jimmy imagines himself to be
jumping off of the roof of the building (effectively committing suicide) much
like the Superman character from the beginning of the book. I’m not convinced
that Jimmy even has the willpower (courage seems like a bad word here) to go
through with the act of committing suicide. I am not a psychologist and have
never been depressed but even if Jimmy has a fantasy about killing himself, I
don’t think he would follow through with any action. Jimmy is a character that
really lacks in taking action throughout the entire book. I imagined the ending
to not be a clear resolution (as horrible as suicide is) but rather as a key
crossroads for Jimmy. He can either take the experiences of the past few days
with his father, grandfather, and sister and learn from them so he doesn’t have
to hide his true self from the new girl at work, or he can continue his rather
pathetic life how it always has been.
Something else that
stands out in Jimmy Corrigan, because most of the illustrations are very gray
and dull, is Chris Ware’s use of color. Color
Symbolism in Hausa Literature by Pauline M. Ryan shows what certain colors
in the Hausa language (most speakers being found in Niger and Nigeria) are
representative of and I think in many cases this can be applied to Jimmy
Corrigan. The primary colors in Ryan’s article in the Journal of
Anthropological Research are white, black, and red. [2] In general, white
represents “both positive and socially desirable qualities, or harmless things such
as nonpoisonous snakes.” [2] Black is a contrast to white, representing “both
negative and socially undesirable qualities, or harmful things.” [2] Finally,
red is much more ambiguous of a color and can “denote the powerful, either
personal or spiritual” and its meaning often depends on the context. [2] One
possible way I thought this applied was in the contrast early on in the book
when the background of the pages starts off as black and then switches to
white. Coupled with the fact that the Superman character wears a lot of red,
this part could signify that it was a powerful event in Jimmy’s life that
ultimately led to his social struggles. Its transition to white after this
scene could signify the change to Jimmy’s harmless life, and maybe even as a sign
that the events in current times might lead to positive changes in his social
life. A common outfit of Jimmy’s is a white shirt with a black vest over top of
it. In Hausa literature, the pairing of black and white is used to represent
themes of good and evil and is seen directly in the translation of a Hausa
expression, “literally white is the reverse of black.” [2] This could be used
to represent the different sides of Jimmy. Deep down I think he is pretty
harmless, backed up by the fact that Jimmy rarely takes action on anything and
sticks to daydreaming. He does have, however, a pretty messed up mind that is
very socially negative and quite harmful. Among others, he daydreams about
killing his father, fantasies that completely sexualize women, and committing
suicide. If he acted on any of these fantasies or vocalized them to anybody, he
would be completely ostracized from society. This conflict between good and
evil within themselves is something that I think everyone can identify with and
makes Jimmy a great character because at least on some levels he is very
relatable. Another article by Elizabeth Caspari, Color Symbolism: Eranos Excerpts, gives a bit of a stronger
definition of the color red in African culture which I think applies to Jimmy
Corrigan. Among other things, it lists red as representative of “activity,
excitation, wonder and fear.” [3] Often in the book in times of transition or
activity, we see some sort of red object. The red bird seen in many panels is
shown when transitioning between different time periods. The red apple and bow
on the basket when Jimmy is on the plane could signify the wonder and fear of
his anticipation of meeting his father for the first time.
The use of specific
and repeated images, as well as the use of specific colors can tell us a lot
about the meaning of Jimmy Corrigan. This imagery has painted a clear picture
of Jimmy as a confused and odd, but mostly well-intentioned human being,
representative of a struggle that many go through in their daily lives.
Ware, Chris. Jimmy Corrigan. New York: Pantheon Books, 2000.
Ryan, Pauline. “Color Symbolism in
Hausa Literature.” Journal of
Anthropological Research. 32.2 (1976): 141-160.
Caspari, Elizabeth. “Color Symbolism:
Eranos Excerpts.” The Arts in
Psychotherapy. 12.3 (1985): 206-208.
1 comment:
The beginning doesn't break any extensive new ground vs. the original, as I remember it. I very much like the point that Jimmy is happy at the moment when he receives the mask in a way that he never exceeds through the book (you might be able to argue that there are very brief moments with Amy that might rival it, although certainly the childhood happiness is straightforward in a way that those moments with Amy aren't).
By the third paragraph, it's clear that you're summarizing too much for a short revision. There's nothing wrong with a shorter revision, and summarization can be a valuable tool - but if you're going to keep it short, you really need to emphasize the argument throughout. There are certainly *ideas* here, or moments of argument, but the overall argument is quite unclear.
I think the extended discussion of the mask is promising, but what you're basically doing is compressing a whole essay into a paragraph. This is more a summary of an argument than the argument itself - which would possibly invoke research, and would definitely say something more detailed about how the idea of the mask comes back throughout the text, even if it isn't physically present.
The long paragraph on color symbolism is, frankly, bizarre. Bizarre isn't bad, necessarily - while I really wanted to see some justification for applying African culture to Jimmy Corrigan in this way (this is a substantial hurdle for me, which I haven't gotten over), I still think your discussion of the vest, for instance, was at least interesting. So it's problematic that you apply African symbolism to this text without explanation, but it's much more problematic that this discussion serves no larger argument. You needed to figure out a way to integrate the superhero argument with the color symbolism argument, while better justifying the latter.
Overall: There are at least three distinct essays here. The first is pedestrian but has some level of detail. The second (on the mask) is a good idea, but underdeveloped. The third (on color symbolism) is a weird stretch, but one that might pan out with more work. The fundamental problem is that you're doing lots of different things, rather than making one true argument, in which all of the pieces work together.
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